Only the Fish Will Tell

Aug 31

quickdrawcollective:

Alley Cat Patch, 2014. Linocut on fabric, 5x7”

Vickie and I are getting subconscious messages from each other or something, because I made a cat patch  as well. Mine is much less regal. I’ve been referring to this design as “Bad Pussy,” but my mom reads this blog, so…Alley Cat.

—Kenton



Alley Cat! It’s been a while since I made a relief print, but I had fun. I have some process pics on this I may post later.

quickdrawcollective:

Alley Cat Patch, 2014. Linocut on fabric, 5x7”

Vickie and I are getting subconscious messages from each other or something, because I made a cat patch as well. Mine is much less regal. I’ve been referring to this design as “Bad Pussy,” but my mom reads this blog, so…Alley Cat.

—Kenton

Alley Cat! It’s been a while since I made a relief print, but I had fun. I have some process pics on this I may post later.

Aug 25

My roommate and I had a little housewarming party on Saturday and broke in our blackboard with this collaborative piece by momakesthings, chris-loge-illustration and myself.

My roommate and I had a little housewarming party on Saturday and broke in our blackboard with this collaborative piece by momakesthings, chris-loge-illustration and myself.

Aug 24

[video]

Aug 05

quickdrawcollective:

Where, What, Where, 2014. Acrylic on MDF, 8”x20”
I made my own version of Paul Gaugin’s Where Do We Come From? What Are We? Where Are We Going? And this is what happened. If it isn’t obvious, I took inspiration from my new surroundings for the landscape as well as some of the figures.
—Kenton

Ew, there’s Visser in my Gaugin!

quickdrawcollective:

Where, What, Where, 2014. Acrylic on MDF, 8”x20”

I made my own version of Paul Gaugin’s Where Do We Come From? What Are We? Where Are We Going? And this is what happened. If it isn’t obvious, I took inspiration from my new surroundings for the landscape as well as some of the figures.

—Kenton

Ew, there’s Visser in my Gaugin!

Jul 23

quickdrawcollective:

For July’s QuickTalk, each member made an influence map showing aspects of art history that affect their work. We’ll be posting each member’s map over the next few days, so keep watching! 
——
Here are nine of my biggest visual influences. Of course, this list could go on forever, and like most of us, I’m sure I’m influenced by things I’m not even aware of. But this is what I’ve picked (left to right, top to bottom):
Gorgio de Chirico: The underrated forerunner of Surrealism (which I’m big into as a whole, really).
Edward Hopper: A quintessential American realist and hella moody.
Pulp magazine illustration (image by Norman Saunders): Guns, gangsters, aliens, cowboys, monsters—it’s all there. I’m drawn to pulp art for how weird and extreme it is, and how big and bold the technique is.
Children’s art: I always find kid art inspiring for its emotional rawness and limitless imagination.
Esther Pearl Watson: OK, so I’m big into UFO’s, but whatever Esther’s subject matter, she handles it with a personal touch and wonderfully unrefined simplicity.
UFO/extraterrestrial culture: Since I was a kid, I’ve been obsessed with aliens. Visually, UFO culture ranges from cartoony, pop images and Roswell kitsch to abductee’s drawings of their captors and creative interpretations of ancient imagery.
Maurice Sendak: I’ve noticed most of my favorite children’s books are about little boys who sneak out of the house somehow in the middle of the night.
Georgia O’Keefe: O’Keefe painted everything in big, simple shapes. I remember a professor telling me once, “If you want to paint like Georgia O’Keefe, just paint like Georgia O’Keefe.” Vague advice, but I took it to heart.

Theodore “Dr. Seuss” Giesel: A Seuss illustration is full of color, movement, brilliantly realized imagination and a visual rhythm that matches his written verse perfectly.
—Kenton

Hey! Here’s a thing I made for QDC. It was hard to pick just a few influences, but talk to me at a party or something and I’ll fill in the gaps for you.

quickdrawcollective:

For July’s QuickTalk, each member made an influence map showing aspects of art history that affect their work. We’ll be posting each member’s map over the next few days, so keep watching! 

——

Here are nine of my biggest visual influences. Of course, this list could go on forever, and like most of us, I’m sure I’m influenced by things I’m not even aware of. But this is what I’ve picked (left to right, top to bottom):

Gorgio de Chirico: The underrated forerunner of Surrealism (which I’m big into as a whole, really).

Edward Hopper: A quintessential American realist and hella moody.

Pulp magazine illustration (image by Norman Saunders): Guns, gangsters, aliens, cowboys, monsters—it’s all there. I’m drawn to pulp art for how weird and extreme it is, and how big and bold the technique is.

Children’s art: I always find kid art inspiring for its emotional rawness and limitless imagination.

Esther Pearl Watson: OK, so I’m big into UFO’s, but whatever Esther’s subject matter, she handles it with a personal touch and wonderfully unrefined simplicity.

UFO/extraterrestrial culture: Since I was a kid, I’ve been obsessed with aliens. Visually, UFO culture ranges from cartoony, pop images and Roswell kitsch to abductee’s drawings of their captors and creative interpretations of ancient imagery.

Maurice Sendak: I’ve noticed most of my favorite children’s books are about little boys who sneak out of the house somehow in the middle of the night.

Georgia O’Keefe: O’Keefe painted everything in big, simple shapes. I remember a professor telling me once, “If you want to paint like Georgia O’Keefe, just paint like Georgia O’Keefe.” Vague advice, but I took it to heart.

Theodore “Dr. Seuss” Giesel: A Seuss illustration is full of color, movement, brilliantly realized imagination and a visual rhythm that matches his written verse perfectly.

—Kenton

Hey! Here’s a thing I made for QDC. It was hard to pick just a few influences, but talk to me at a party or something and I’ll fill in the gaps for you.

Jul 21

quickdrawcollective:

What I’m Working On, July 2014:
1. Since I’ve been so nomadic recently, most of my drawing in the past month has been sketchbook-based.
2. Along with QDC memebers Julia and Jessica, I was at ICON8 in Portland, and I’m trying to keep riding the high. Here’s me and a bear, photo courtesy of Julia Lavigne.
3. I have a fully operational studio set up here in Denver now, so it’s time to bust out the paints. I’m also gathering supplies to practice some of the “jailhouse printmaking” techniques I picked up in an ICON workshop taught by the Clayton Brothers.
—Kenton

Be an artist, see the world, be pals with bears.*
*Do not try to be pals with actual bears. Bears will eat you.

quickdrawcollective:

What I’m Working On, July 2014:

1. Since I’ve been so nomadic recently, most of my drawing in the past month has been sketchbook-based.

2. Along with QDC memebers Julia and Jessica, I was at ICON8 in Portland, and I’m trying to keep riding the high. Here’s me and a bear, photo courtesy of Julia Lavigne.

3. I have a fully operational studio set up here in Denver now, so it’s time to bust out the paints. I’m also gathering supplies to practice some of the “jailhouse printmaking” techniques I picked up in an ICON workshop taught by the Clayton Brothers.

—Kenton

Be an artist, see the world, be pals with bears.*

*Do not try to be pals with actual bears. Bears will eat you.

Jul 19

Nap Guy, 2014. Sketchbook page: ink, gouache and collage on paper, 9x12”.
This is a portrait of a man Reina and I met in an elevator at ICON last week. He had lots of advice about napping for us.

Nap Guy, 2014. Sketchbook page: ink, gouache and collage on paper, 9x12”.

This is a portrait of a man Reina and I met in an elevator at ICON last week. He had lots of advice about napping for us.

Jul 08

kentonblogs:

quickdrawcollective:

Nights and Weekends, 2014. Ink and digital color, 16x20”.
Freebie month! I made a piece about the day job/dream job duality within which most artists (including myself, of course) operate. I may be showing this in an exhibition this summer. Don’t quit your day job!
—Kenton

"The arts are not a way to make a living. They are a very human way of making life more bearable." —Kurt Vonnegut

What’s up, Portland? I’m flying in tonight for ICON, the Illustration Conference. This piece will be on display at the Land Gallery as part of the ICON8 Work+Play exhibit. The show is up June 11-Aug 24, with an opening reception this Friday at 8pm. If you’re in the City of Roses, come check it out. More info here.

kentonblogs:

quickdrawcollective:

Nights and Weekends, 2014. Ink and digital color, 16x20”.

Freebie month! I made a piece about the day job/dream job duality within which most artists (including myself, of course) operate. I may be showing this in an exhibition this summer. Don’t quit your day job!

Kenton

"The arts are not a way to make a living. They are a very human way of making life more bearable." —Kurt Vonnegut

What’s up, Portland? I’m flying in tonight for ICON, the Illustration Conference. This piece will be on display at the Land Gallery as part of the ICON8 Work+Play exhibit. The show is up June 11-Aug 24, with an opening reception this Friday at 8pm. If you’re in the City of Roses, come check it out. More info here.

Jul 03

A sketchbook page from my stop in Raton, New Mexico last week. When you’ve lived twenty-four years in flat places like central Illinois, coastal Georgia and north Texas, mountains are a novel landmark.

A sketchbook page from my stop in Raton, New Mexico last week. When you’ve lived twenty-four years in flat places like central Illinois, coastal Georgia and north Texas, mountains are a novel landmark.

Jun 29

quickdrawcollective:

Threshold, 2014. Ink and digital color, 8x10”.
I actually had a phase a few years ago where the only thing I painted was interiors, so with this assignment I was fighting a bit to keep from repeating myself. The result here is kind of a creepy vintage illustration.
—Kenton

A thing for QDC.

quickdrawcollective:

Threshold, 2014. Ink and digital color, 8x10”.

I actually had a phase a few years ago where the only thing I painted was interiors, so with this assignment I was fighting a bit to keep from repeating myself. The result here is kind of a creepy vintage illustration.

—Kenton

A thing for QDC.